| Subcategories | | • | Cabanne, Christy | | • | Cacoyannis, Michael | | • | Caffey, Michael | | • | Cahn, Edward L | | • | Cain, Christopher | | • | Callner, Marty | | • | Camacho, Art | | • | Cameron, James | | • | Camfield, Douglas | | • | Cammell, Donald | | • | Camp, Joe | | • | Campanile, Pasquale Festa | | • | Campbell, Graeme | | • | Campbell, Martin | | • | Campion, Jane | | • | Campus, Michael | | • | Cannon, Danny | | • | Canutt, Yakima | | • | Capra, Frank | | • | Cardiff, Jack | | • | Cardona, Rene | | • | Carlei, Carlo | | • | Carlino, Lewis John | | • | Caron, Glenn Gordon | | • | Carpenter, John | | • | Carr, Thomas | | • | Carreras, Michael | | • | Carroll, Willard | | • | Carson, David | | • | Carter, Annette Haywood | | • | Carver, Steve | | • | Cassar, Jon | | • | Cassavetes, John | | • | Cassavetes, Nick | | • | Castle, Nick | | • | Castle, William | | • | Cates, Gilbert | | • | Cattaneo, Peter | | • | Cauthen, Kelley | | • | Cava, Gregory La | | • | Cavani, Liliana | | • | Chabrol, Claude | | • | Chadha, Gurinder | | • | Chaffey, Don | | • | Chalmers, Chip | | • | Champion, Gregg | | • | Chan, Benny | | • | Chan, Gordon | | • | Chan, Jackie | | • | Chan, Teddy | | • | Chaplin, Charlie | | • | Chapman, Michael | | • | Chappelle, Joe | | • | Charr, Henri | | • | Chaudhri, Amin Q | | • | Chelsom, Peter | | • | Cheung, Mabel | | • | Chi, Lee Lik | | • | Chin, Wellson | | • | Chionglo, Mel | | • | Chiu, Lee | | • | Chomsky, Marvin J | | • | Chong, Tommy | | • | Chopra, Joyce | | • | Christian, Roger | | • | Chung, Peter | | • | Cimino, Michael | | • | Clair, Malcolm St | | • | Clark, Duane | | • | Clark, Greydon | | • | Clark, James B | | • | Clark, Larry | | • | Clark, Lawrence Gordon | | • | Clavell, James | | • | Claver, Bob | | • | Claxton, William F | | • | Clayton, Jack | | • | Clegg, Tom | | • | Clemens, William | | • | Clement, Dick | | • | Clements, Ron | | • | Clifford, Graeme | | • | Clifton, Elmer | | • | Clouse, Robert | | • | Clouzot, Henri Georges | | • | Clyde, Craig | | • | Cochran, Stacy | | • | Coen, Joel | | • | Cohen, Eli | | • | Cohen, Gerry | | • | Cohen, Howard R | | • | Cohen, Larry | | • | Cohen, Peter | | • | Cohen, Rob | | • | Cohen, Steve | | • | Cohn, Michael | | • | Cohn, Peter | | • | Coke, Cyril | | • | Cokeliss, Harley | | • | Cole, Marcus | | • | Coles, John David | | • | Colizzi, Giuseppe | | • | Colla, Richard A | | • | Collier, James F | | • | Collins, Boon | | • | Collinson, Peter | | • | Colomo, Fernando | | • | Colpaert, Carl | | • | Columbus, Chris | | • | Comencini, Luigi | | • | Comfort, Lance | | • | Compton, Richard | | • | Condon, Bill | | • | Conn, Nicole | | • | Connor, Kevin | | • | Contner, James A | | • | Conway, Jack | | • | Conway, James L | | • | Cook, Fielder | | • | Coolidge, Martha | | • | Cooney, Michael | | • | Cooper, Hal | | • | Cooper, Jackie | | • | Cooper, Stuart | | • | Copley, John | | • | Coppola, Christopher | | • | Coppola, Francis Ford | | • | Coppoletta, Joe | | • | Coraci, Frank | | • | Corbucci, Bruno | | • | Corbucci, Sergio | | • | Corcoran, Bill | | • | Cordova, Frederick De | | • | Corman, Roger | | • | Cornell, John | | • | Corr, Eugene | | • | Correll, Charles | | • | Corrente, Michael | | • | Cosby, Bill | | • | Coscarelli, Don | | • | Cosgrove, Brian | | • | Cosmatos, George P | | • | Costner, Kevin | | • | Coto, Manny | | • | Cottafavi, Vittorio | | • | Couffer, Jack | | • | Covert, Michael | | • | Cox, Alex | | • | Crane, Barry | | • | Craven, Jay | | • | Craven, Wes | | • | Crichton, Charles | | • | Crichton, Michael | | • | Cristofer, Michael | | • | Croft, David | | • | Cromwell, John | | • | Cronenberg, David | | • | Crosland, Alan | | • | Crowe, Cameron | | • | Crowe, Christopher | | • | Cruze, James | | • | Crystal, Billy | | • | Cuaron, Alfonso | | • | Cukor, George | | • | Cullingham, Mark | | • | Cummings, Irving | | • | Cundey, Dean | | • | Cundieff, Rusty | | • | Cunningham, Sean S | | • | Curtis, Dan | | • | Curtiz, Michael | | • | Cyran, Catherine |
|
|
|
|
| Pat and Mike | 
enlarge | Director: George Cukor Actors: Spencer Tracy, Katharine Hepburn, Aldo Ray, William Ching, Sammy White Studio: Warner Home Video Category: DVD
List Price: $19.98 Buy New: $9.99 You Save: $9.99 (50%)
New (45) Used (20) Collectible (1) from $4.18
Avg. Customer Rating: 17 reviews Sales Rank: 17771
Format: Black & White, Dvd-video, Full Screen, Ntsc Languages: English (Original Language), English (Subtitled), French (Subtitled) Rating: NR (Not Rated) Number Of Items: 1 Running Time: 95 Aspect Ratio: 1.33:1 Picture Format: Pan & Scan Shipping Weight (lbs): 0.2 Dimensions (in): 7.4 x 5.4 x 0.6
MPN: WARD65164D ISBN: 0790745984 UPC: 012569516427 EAN: 9780790745985 ASIN: B00004TX2B
Theatrical Release Date: June 13, 1952 Release Date: September 19, 2000 Availability: Usually ships in 1-2 business days
|
| Editorial Reviews:
Product Description A sports promoter thinks he can make some money by convincing a physical education teacher at a small college to throw a tournament. Studio: Warner Home Video Release Date: 01/08/2002 Starring: Spencer Tracy Katharine Hepburn Run time: 95 minutes Rating: Nr Director: George Cukor
Amazon.com Kate plays Pat Pemberton, a college physical education teacher who excels at just about every sport there is. She's also a great athletic competitor, except when her overbearing, worrywart fiance, Collier Weld, is around. (As Weld, William Ching does an admirable job in a thankless role.) All Pat has to do is see Collier's face on the sidelines and her golf swing loses its power; her tennis game goes haywire. It takes crooked sports manager Mike Conovan (Spencer Tracy, of course) to recognize Pat's outstanding talent. He takes her on as his most important client and handles her with the same loving care that he gives to his favorite racehorse. Naturally, Pat and Mike's relationship is destined to overstep its professional boundaries. The mutual attraction grows from the moment they meet. Watching Pat walk away, Mike comments to his partner, "Not much meat on her, but what's there is 'cherce'." The film carries a powerful feminist message, especially considering that it was made in the early 1950s: Pat is undone by Collier, who would rather have her stick to being "the little woman" and forget about succeeding. But with Mike in her corner, Pat can have a great career. Her union with him is a true partnership; everything is, as he says, "Five-oh, five-oh." In the end, he's secure enough to be comfortable as "the man behind the woman." The film features terrific comic performances by Aldo Ray as a bone-headed boxer, a young Charles Bronson (before he changed his name from Buchinski) as a small-time gangster, and Our Gang's Carl "Alfalfa" Switzer as a high-strung bus boy. --Laura Mirsky
|
| Customer Reviews: Read 12 more reviews...
Hepburn's Physical Prowess Takes Center Stage in an Entertaining Sports-Centric Pairing with Tracy September 3, 2008 1 out of 1 found this review helpful
Katharine Hepburn has said this deceptively casual 1952 comedy is her favorite of the nine onscreen pairings with longtime partner Spencer Tracy, and one can see why as the film takes advantage of her natural athletic prowess. Directed by the redoubtable George Cukor and written by the husband-and-wife team of Garson Kanin and Ruth Gordon (Adam's Rib), this is not so much a rollicking screwball farce as a sly opposites-attract love story set in a world pitched between professional sports and the street-slang and pinstripe suits of Damon Runyon. It's not a complicated plot. Mike Conovan is a dem-and-dose sports promoter who already manages a punch-drunk fighter named Davie Hucko. On a country club golf course, he sees a great golfing talent in Pat Pemberton, a college physical-education instructor who turns out to be accomplished in a number of sports including sharp-shooting and tennis. Mike immediately sees the financial possibilities of promoting a "lady athlete", and a mutual attraction develops.
However, he also discovers Pat's one major Achilles' heel - her self-doubt is such that she cannot perform to her world-class standards under the patronizing eye of her selfish fiancee Collier. Naturally, this impediment gives rise to the movie's funniest sight gags, including a particularly hilarious tennis match with real pro Gussie Moran where Pat's tennis racket gets smaller, Moran's gets larger, and the net grows higher. The rest of the film consists of scenes highlighting Pat's ascending trajectory as a pro star, and consequently, the fortyish Hepburn's impressive physical talent facing off with the likes of Olympic champion Babe Didrickson Zaharias in a pro golf tournament. The Tracy-Hepburn team shows a genuine rhythm to their banter here, and Tracy seems to be having fun playing a street-savvy huckster. I find it amusing how Hepburn's character - with her crisp New England-based diction - is supposed to be from Oakland. Aldo Ray makes a memorable impression as Davie, while a young Charles Bronson can be seen as one of the hoods subject to Pat's masterful judo moves. There are no extras offered with the 2000 DVD.
Nice Tracy and Hepburn Film July 7, 2008 This is a disarming little movie about a woman athlete and her coach. It is a somewhat romantic comedy but it is more about developing a female athlete and coaching her to be a winner. Katherine Hepburn was apparently a terrific athlete and Garson and Kanin wrote their screenplay around her. It is not a raccuous or exaggerated romantic comedy like Adam's Rib or even Woman of the Year. It is much smaller but very charming. Take it for what it is and don't expect it to be like the other films. This is not what Pat and Mike are about.
Tracy and Hepburn strike again....... August 22, 2007 1 out of 1 found this review helpful
PAT & MIKE is an inspiring look at the relationship between a gifted athlete (Katherine Hepburn) and her coach (Spencer Tracy), determined to get her back on her game. Pat's fiancee, Collier Weld (William Ching) is the one setback that keeps her from really excelling at the sports she pursues. Everytime she sees him in the crowd, she fails miserably at anything she is attempting to do (be it serve a tennis ball, or shoot a golfball). I am sure you can imagine the twist of fate that occurs while under the tuttelage of Mike, who believes that they have a truly equal partnership, in his words, "5-0, 5-0."
Spencer Tracy and Katherine Hepburn's chemistry is going strong, as they trade clever banter and we watch the evolution of a beautiful relationship. This film is especially progressive for the time that it was released (the 1950s).
for Stevie May 12, 2007 Bought this for my daughter for a course she was taking at UF called Women in Films. It arrived very promptly at her address.
An inspirational film at a time when one was needed! December 22, 2006 This is a fun film for sports fans. It is only unfortunate that it is so sickenly anti-feminist until the very end. People act as if a woman had no business being an athlete, as if she had no business being a person of any influence at all. I didn't live through the fifties, and if this is accurate, I am appalled. It does get to be a good movie at the end though when Katharine starts kicking some butt!
|
|
| Powered by Associate-O-Matic
| |